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Lorraine O'Grady |
Select Solo Exhibitions1998 Thomas Erben Gallery, NYC. Studies for Flowers of Evil and Good1995 Wadsworth Atheneum, Hartford, CT. Lorraine O'Grady/Matrix 127 1993 Thomas Erben Gallery, NYC. Photo Images: 1980-91 1991 INTAR Gallery, NYC. Critical Interventions: Photomontages Select Group Exhibitions1997 Milwaukee Art Museum, Milwaukee, WI. Identity Crisis: Self Portraiture at the End of the Century"Le Magasin" (Centre National d'Art Contemporain de Grenoble), Vraiment: Féminisme et Art 1996 Institute of Contemporary Art, Boston, MA New Histories Louisiana Museum of Modern Art, Humlebaek, Denmark NowHere Armand Hammer Museum at UCLA, Los Angeles, CA Sexual Politics: Judy Chicago's Dinner Party in Feminist History 1995 The Bunting Institute, Harvard University, Cambridge, MA A Range of Views: New Bunting Fellows in the Visual Arts 1994 Davis Museum and Cultural Center, Wellesley College, Wellesley, MA The Body As Measure Cleveland Center for Contemporary Art Outside the Frame: Performance & The Object 1993 The Drawing Center, NYC Exquisite Corpses Southeastern Center for Contemporary Art,Winston-Salem, NC Personal Narratives: Women Photographers of Color USIA selected exhibit, traveled to the Caribbean and Latin America David Zwirner Gallery, Coming to Power: 25 Years of Sexually X-plicit Art by Women 1992 Bronx Museum/PaineWebber Art Gallery Revealing the Self: Portraits by Twelve Contemporary Artists 1988 Maryland Institute, College of Art, Baltimore, MD Art As A Verb: The Evolving Continuum Select Performances1983 Afro-American Day Parade, Harlem, USA Art IsFranklin Furnace, NYC Fly By Night 1982 Central Park, NYC Rivers, First Draft Allen Memorial Art Museum, Oberlin College, Oberlin, OH Nefertiti/Devonia Evangeline 1981 New Museum for Contemporary Art, NYC Mlle Bourgeoise Noire Goes to the New Museum 1980 Just Above Midtown Gallery, NYC Nefertiti/Devonia Evangeline Just Above Midtown Gallery, NYC Mlle Bourgeoise Noire Goes to JAM Select Writings about Art1998 "Olympia's Maid: Reclaiming Black Female Subjectivity," reprinted with "Postscript" in Grant Kester, ed, Art, Activism, and Oppositionality: Essays from Afterimage, Duke University1997 "Nefertiti/Devonia Evangeline," in College Art Association, Art Journal,Winter 1997, Vol 56, No 4: Performance Art, pp 64-65 1996 "Lorraine O'Grady: Artist and Art Critic" Interview by Laura Cottingham, in Artist and Influence 1996, vol XV, pp 205-218, Hatch-Billops Collection, Inc 1993 "A Day At the Races: Lorraine O'Grady on Basquiat and the Black Art World," Artforum Magazine, vol XXXI, no 8, April, pp10-12 1992 "Dada Meets Mama: Lorraine O'Grady on WAC," Artforum Magazine, vol XXXI, no 2, October 1992, pp 11-12 1982 "Black Dreams," in Heresies #15: Racism Is the Issue, nd, pp 42-43 Select Discussions of Work1998 Roselee Goldberg, Performance: Live Art Since the 60s, Thames & Hudson/Abrams1997 Richard J Powell, Black Art and Culture in the 20th Century, Thames and Hudson, World of Art series 1996 Anne Higonnet, "Hypocrite Lecteur, Mon Semblable, Mon Frere! Hybrid Viewer, My Difference, Lorraine O'Grady!" in Lia Gangitano and Steven Nelson, eds, New Histories, Institute of Contemporary Art, Boston 1995 Patricia Rosoff, "Shadow Boxing with the Status Quo: Artist Lorraine O'Grady refuses to treat the art world with kid gloves," The Hartford Advocate, June 29, 1995, pp 21, 23 Andrea Miller-Keller, Lorraine O'Grady / MATRIX 127, Wadsworth Atheneum, Hartford CT, 1995, pp 2-7 1994 Norma Broude and Mary Garrard, eds, The Power of Feminist Art, Harry N Abrams, Inc, New York 1993 Calvin Reid, "A West Indian Yankee in Queen Nefertiti's Court," in Adrian Piper, ed, New Observations #97: COLOR, September/October 1993, pp 5-9 1991 Judith Wilson, Lorraine O'Grady: Photomontages, INTAR Gallery, New York, 1991 Exhibition catalogue 1988 Lucy R Lippard, "Sniper's Nest: 'Art Is'", Z Magazine, July/August1988, p 102, box Lowery Stokes Sims, "Aspects of Performance in the Work of Black American Women Artists," in Arlene Raven, et al, Feminist Art Criticism: An Anthology, UMI Research Press, Ann Arbor 1984 Lucy R Lippard, Get the Message! A Decade of Art for Social Change, EP Dutton, New York Select Fellowships and Awards1997-99 Vera List Center for Art and Politics, The New School , NYC,Senior Fellow 1995-96 Bunting Institute, Harvard University, Bunting Fellowship in Visual Art 1993-94 Marie Walsh Sharpe Art Foundation, Space Program, residency 1983 National Endowment for the Arts, emerging artist fellowship 1983 CAPS, New York State Council on the Arts, fellowship Select CollectionsPeter Norton Family Foundation, Santa Monica, CAThe Wadsworth Atheneum, Hartford, CT The Davis Museum and Cultural Center, Wellesley, MA The Avon Collection Thomas Erben |
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