Thomas Erben Gallery | Yamini Nayar

Installation view, north/west walls (photo credit: Fernando Sandoval/MW).

<i>Feeding the Silkworm</i>, 2024. Archival pigment print, 50 × 40in., edition of 5 (+2 AP)

<i>Echo and Eros</i>, 2024. Archival pigment print, 50 × 40in., edition of 5 (+2 AP)

Installation view, east wall (photo credit: Fernando Sandoval/MW).

<i>Animism</i>, 2024. Silver gelatin print, 50 x 30 inches. Edition of 5 (+ 2 AP)

<i>Only the Dance</i>, 2024. Archival pigment print, 40 x 30 inches. Edition of 5 (+ 2 AP)

<i>Imprint</i>, 2020. Silver gelatin print, 14 x 18in, ed. of 5 (+1AP)

<i>Beginner's Mind</i>, 2020. C-print, 40 x 30in, ed. of 5 (+1AP)

<i>Messenger</i>, 2020. C-Print, 50 x 30in, ed. of 5 (+1AP).

<i>Garden for Laborers</i>, 2016, Lightjet print, 42 x 36 in, Edition of 5 + 2 AP.

<i>Chrysalis</i>, 2013. C-print, diptych, 8 x 10 and 50 x 40 in respectively, edition of 5 (+2 AP).

<i>Akhet</i>, 2013. C-print, 50 x 40 in, edition of 5 (+2 AP).

Installation view from "an axe for a wing-bone", 2013.

<i>Cascading Attica</i>, 2011. C-print, 40 x 50 in, edition of 5 (+2 AP).

Installation view from "Head Space", 2011.

<i>One of These Days</i>, 2009. C-print, 36 x 48 in, ed. of 5 (+2 AP).

<i>Cleo</i>, 2009. C-print, 30 x 40 in, ed. of 5 (+2 AP).

<i>Under a Night Sky</i>, 2009. C-print, 36 x 48 in, ed. of 5 (+2 AP).

<i>Luck is the Residue of Design</i>, 2007. C-print, 20 x 24 in, ed. of 5 (+2 AP).

<i>What's Essential</i>, 2007. C-print, 20 x 24 in, ed. of 5 (+2 AP).

<i>I Wish, Thank You</i>, 2005-06, C-print, 20 x 24 in, ed. of 5 (+2 AP).

<i>The Splat was Seen in the In Between</i>, 2005, C-print, 20 x 24 in, ed. of 5 (+2 AP).

Yamini Nayar - Installation view, north/west walls (photo credit: Fernando Sandoval/MW).

Yamini Nayar - Installation view, east wall (photo credit: Fernando Sandoval/MW).

Yamini Nayar

Yamini Nayar (b. 1975) received her MFA from the School of Visual Arts, 2005, and her BFA from the Rhode Island School of Design, 1999. Her work has been widely reviewed in major publications such as Artforum, The New York Times, Art India, Asian Art Newspaper, Vogue India, Art in America, The New Yorker, and Whitewall Magazine. Over the years, Nayar’s work has been exhibited widely. Major survey shows include: Ray Photo Triennale, Museum für Moderne Kunst, Frankfurt; Constructs/Constructions, Kiran Nadar Museum of Art, New Delhi (both 2015); Sculpture is Everything, Queensland Art Gallery, South Brisbane (2012); Manual for Treason, Sharjah Biennial, UAE (2011); The Empire Strikes Back, Saatchi Museum, London (2010); and Fatal Love, Queens Museum of Art, (2005). Nayar has also shown with Jhaveri Contemporary, Mumbai (2018 and 2012); Wendi Norris, San Francisco (2019) and BosePacia (2006). Public collections include the Art Institute of Chicago, the Guggenheim Museum, the Queensland Art Gallery, Kiran Nadar Museum, the deCordova Museum, and the Cincinnati Art Museum.